Double 2nd Steeldrums
Steelasophical performs with a beautiful set of Double Seconds Steeldrums
Manufactured and tuned by BIGGS
iMac and Logic Pro
What Is Steelasophical?
A live band can be great .. there is that wonderful authentic throw back to the ole the caribbean days with a 3 or 4pc traditional steelband, and there are many excellent ones to chose from. Steelasophical is however something entirely different, Steelasophical bridges the gap between a DJ playing music tracks (backing racks) and a LIVE band (live steeldrums/percussions), by smoothly and seamlessly blending the two with the best of BOTH worlds
FBT Amico 1000 — 1000w PA System
steelasophical PA system of choice
packs a heavy punch and has great clarity
on a level par with most Disco / DJ’s we set up beside
Applications: Ideal for Schools: classrooms, auditoriums, gyms, outdoor school activities: ballgames, cheerleading performances and practice. Houses of Worship: Youth groups and outdoor events, solo performers, small combos, stereo electronic keyboard amplification system, Mobile D.J.s, entertainers, fitness trainers, sales presentations and conferences indoor or outdoors, as well as an easy to use Rental system.
- 900 w RMS Total Power: 600w RMS LF+2 x 150w RMS Mid/HF
- 15 channel mixer with 7 Balanced XLR mic ins, 8- ¼” TRS line ins, 3 band EQ, monitor send, effect send, channel gain control, balance control, mute switch, peak LED, phantom power, volume control, on all input channels.
- Mixer – Master Controls: feature master system volume control, Independent subwoofer volume control, monitor send volume control, headphone volume control, master effect send control,effects to mains control,balance control L&R out, ¼” TRS Aux. effects
- Onboard 24 bit Digital Multi-effects processor with 256 selectable presets
- 15” B&C® die cast frame sub-woofer with neodymium magnet and 2.5 ” voice coil
- 2 satellite speakers with 6.5” Mid/LF woofers and 1” compression drivers coupled to a constant directivity 90°x 60° horn
Apple Logic Pro – Music Studio Software
Made for musicians.
You already know how to write great music. Logic Pro 9 streamlines the technical side of things, so you can record, edit, and mix it on your own. Tap into a huge collection of instruments, sounds, and loops for inspiration. Get set up and start recording quickly. Perform complex edits in a fraction of the time. And mix down projects of any scale with full automation and surround capabilities.
Put the flow back into your workflow.
Logic Pro brings together all the editing tools and content browsers you need in a single, beautifully designed window. So everything can happen faster. Your shortcut menus, toolbars, and transport controls are right there for you, not spread across a maze of windows. And you can customize the toolbar and transport areas with the tools and controls you use most often.
Get rolling fast.
Logic Pro 9 lets you start making music right away. Templates are a great way to explore sounds or instantly get you set up to track, edit, mix, or master even a large-scale project. Want to build a song from scratch? Logic Pro reduces the number of steps it takes to set up tracks and mixer channels, so you can stay focused on being creative.
Logic Pro gives you everything you need for a professional recording session. Seamless punch recording. Automatic take management. Marker creation. It’s all easy to do, and easy to undo. And it works just as smoothly for a two-hour symphony as for a simple singer/songwriter demo. With over 250 audio tracks available and the ability to run hundreds of plug-ins, you’ll always have what you need to complete your project — without paying for an upgrade or optional add-ons.
Pro mixing in all its glory.
Hundreds of input channels. Dozens of mix groups. Plenty of sends and auxiliaries. Dynamic channel strip creation. Powerful automation and track management. And full surround capabilities. Logic Pro brings it all together in a straightforward, customizable layout that makes it easy to focus on any part of your project.
Welcome to the big board.
Create whatever configuration you want with up to 255 discrete audio, software instrument, and auxiliary channels, along with up to 32 mix groups and as many output channels as your audio hardware offers. Each track supports 15 plug-ins and 8 pre-fader, post-fader, and post-pan sends with full latency compensation to keep everything in perfect sync.
You can record busses and integrate outboard hardware into your mix. And you have the flexibility to mute and solo tracks or individual regions. In fact, you can do anything you’d do in a major studio, yet you don’t need a single DSP card to do it. Your Mac Pro, MacBook Pro, or iMac can easily handle the huge mixing capacity of Logic Pro all by itself.
You’ll love the views.
Intuitive display options make it easy to find and focus on what’s important. Without even opening the mixer, you can use the dual channel strips beside your edit area to access all the functions and plug-ins for a selected track, along with any channels to which your track is sending signals. The complete mixer view provides three useful options for displaying channels: one that shows all channels arranged by their type, another that shows only the channels as they appear in your arrangement, and a third view that shows the selected track channel and any channels it’s routing signal to.
Instant channel strips.
Logic Pro automatically creates auxiliary channels for your project whenever you need them. Say you create a send to a bus or click a software instrument channel with multiple outputs. Logic Pro will generate an auxiliary channel strip to receive the signal. Think of it as your engineering assistant.
Mix in surround.
Logic Pro offers end-to-end surround capabilities, so you can record, edit, mix, and encode projects in surround up to 7.1. Graphic surround panning lets you precisely position audio in a Quad, LCRS, 5.1, 6.1, or 7.1 surround field. Surround support includes multichannel signal routing, and you can submix surround tracks or use sends to route audio to surround auxiliary tracks.
Group your tracks.
Track Groups makes it easy to work with related tracks, like a set of background vocal tracks or a multitrack drum recording. When you’re adjusting the channel strip for one track and you want the changes to show up on other tracks, just assign them to the same group. The group window makes it easy to access all the group functions and hide or rename a group.
Each fixture needs to have a start address set to receive the data sent by the controller. The address number is between 0-511 (usually 0 & 1 are equal to 1). The address, also know as the start channel, is the first channel used to receive instructions from the controller.
There are four ways to set the fixture DMX start address:
- DMX address setting by dip-switches
- Automatic DMX-addressing
- Remote DMX address setting by CA-T DMX TESTER
- Remote DMX address setting by universal DMX controller
If you use the function B, C or D to set the DMX start address, the fixtures of the chain all DIP switch MUST be set to OFF).
A. DMX address setting by dip-switches
1. Select the channels of DMX controller 2. Dipswitches
Dip #1 #2 #3 #4 #5 #6 #7 #8 #9 #10
Value 1 2 4 8 16 32 64 128 256
Channel 01:dip / on : # 1(=1)
Channel 05:dip / on : # 1, # 3(1+4=5) Channel 09:dip / on : # 1, # 4 (1+8=9) Channel 13:dip / on : # 1, # 3, # 4(=13)
The fixture can be set the DMX address remotely by universal DMX controller. First, you need to programming two scenes into a chase, and then link the fixtures to the universal DMX controller. When you run the chase, all the fixtures of the chain will be set the series DMX address automatically
2m wide projection screen
Screen Stand 1.5 – 3.5 m in height
Numark NuVj Audio/Video Mixer